First professor of baroque violin at the Superior Conservatory of Music of Vigo, he finished his training with the highest qualifications in violin, harmony, counterpoint and acoustics at the Royal Superior Conservatory of Music of Madrid, tutored by the international violinist Hiro Kurosaki and at the Royal The Hague Conservatory (Holland) to Pavlo Beznosiuk and Ryo Terakado, also receiving masterclasses in historicist interpretation with teachers such as Lucy van Dael, Anton Steck, Mira Glodeanu, Margaret Foultness, or Kati Debretzeni.  

Founder and Director of Opera Omnia. In 2019, he founded Opera Omnia, a vocal-instrumental ensemble dedicated to the recovery and reinterpretation of Spain’s and Latin America’s vast musical heritage. With an innovative approach, the ensemble seeks to move beyond the interpretative stereotypes traditionally associated with German and Italian music, highlighting the distinctive characteristics of the Hispanic musical tradition. Under his direction, Opera Omnia was awarded the GEMA Awards for “Best 18th-Century Baroque and Classical Music Ensemble” and “Best Production and Management” in 2022, as well as “Best 17th-Century Baroque Music Ensemble” in 2024.

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Founder of the Opera Omnia School of Polyphony. In 2020, he founded the Opera Omnia School of Polyphony, a pioneering institution dedicated to teaching disciplines such as solmisation, historical solfège, psalmody and modality, Renaissance counterpoint, mensural notation and historical temperaments. In collaboration with Isaac Alonso (Royal Conservatoire The Hague) and Juan Carlos Asensio, the school addresses a significant gap in the educational offerings of conservatoires and aims to become an international centre of reference.

 

International Concert Career. As a violinist, he has performed in countries including South Korea, Japan, Turkey, Germany, the Netherlands, France, Italy, Slovenia, Denmark, England, Mexico, Brazil, Chile, Uruguay and Argentina. He has collaborated with Spain’s leading early music ensembles and has taken part in highly acclaimed productions such as PaGAGnini and Maestrissimo, by Yllana Producciones, which combine humour and music.

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With a career encompassing performance, conducting, teaching and research, his work has established him as a leading figure in the field of early music and in the preservation and promotion of Spain’s and Latin America’s cultural heritage.