Opera Omnia is an early music ensemble directed by violinist Isaac M. Pulet, specializing in the recovery of the Spanish and Hispanic-American musical heritage of the Baroque and Classical periods. Their bold and distinctive approach highlights the unique aesthetic characteristics of Hispanic music, steering clear of European performance clichés to restore the repertoire’s original vitality. This commitment to research was recognized internationally in 2022 with a nomination for Best Heritage Recovery Project by REMA (European Early Music Network). Furthermore, the group has been honored by GEMA (Association of Spanish Early Music Groups) in two consecutive editions, winning the awards for Best 18th-Century Ensemble and Best Production and Management in 2022, and reaffirming its excellence in 2024 by taking home Best 17th-Century Ensemble alongside a nomination for Best Direction.

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The ensemble's work has solidified its presence on both the national and international circuits through landmark programs such as Amor, no te llame amor, an exploration of Golden Age tonos humanos. After captivating audiences across more than ten Spanish festivals, this project was presented at prestigious venues including the Royal Palace of Madrid—in collaboration with Patrimonio Nacional—and alongside the Accademia di Musica Antica di Milano. Driven by this same commitment to quality, Opera Omnia has brought compelling projects to international stages: Vaya de fiesta dazzled audiences at the Utrecht Early Music Festival by showcasing the musical richness of Hispanic-American cathedrals, while SARAO, following a highly successful tour of major Spanish festivals, was featured at the Stockholm Early Music Festival, enchanting listeners with the freshness and vigor of its repertoire.

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A frequent guest at Spain’s most prestigious concert series, Opera Omnia remains deeply committed to the vast Spanish musical heritage—a extraordinarily rich legacy that the ensemble brings back to the stage with the original rigor and emotion of its time.